writing prompts

The Significance of Writing Communities in Post-Lockdown Schools

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NWP Secretary and Norfolk Year 3 teacher Sam Brackenbury reflects on the challenges - and solutions - for post-lockdown writing.

Writing will be on the minds of many teachers as we prepare in England and Northern Ireland for March 8th, and follow the lead of colleagues in Scotland and Wales who have already begun their phased return.

It is the subject that has seemed to have ‘suffered’ more than most during lockdown and, in some ways, this is not surprising. Learning is often a shared venture, but for writing, the presence of adults and peers seems particularly important for children. To commit ideas to paper and to take enjoyment from doing so they need their writing community.

The pandemic, and the subsequent move to home learning, has shown the value of the writing communities that we foster and nurture in our classrooms. Children need shared writing sessions, that almost palpable energy which comes from writing together. They need discussion with their peers to hear how they bring meaning when interpreting, describing or reflecting so that they can broaden and deepen their own command of language and ways of seeing the world. They need teachers, writing teachers, as models of how to think and act as a writer.

But more than this, they need that unique connection that comes from writing creatively or reflectively together as a group of people. So, as we approach the next few weeks, perhaps we should consider how writing, and our writing communities, might be used to reconnect, catch up and process the past few months. In turn, they might also support academic recovery.

We know that many children may have written very little despite all the effort and thought that has been devoted to designing remote learning. I know this is true of certain children in my classroom. Equally, many children will have experienced writing through typing, either for the ease of teacher feedback as they write on live documents or because parents have found this the only way to engage their children in writing.

Therefore, we might need a means to get pens and pencils moving again!

We should consider how low threat, high investment writing activities would allow children to feel free to choose what they might like to write about. These might be lists or short burst writing opportunities and, as we know our children, we will be aware of what will be safe and appropriate and how much direction to provide so as they are not overwhelmed or limited by the prompt.

Carefully chosen stimuli surrounding concepts such as thankfulness; their home; or themes around hope connected with nature may also facilitate conversations that help to process the impact of being apart from their peers and significant adults. It might be that we decide something light hearted is needed – again we know our children best! At the very least, these could facilitate talk and an opportunity for children to begin to feel comfortable sharing ideas publicly or in pairs and practice essential speaking and listening behaviours that might not have been exercised for some time.

Equally, it is likely that children will have engaged in far fewer dialogic conversations over the lockdown period and such discussions could come from exploring choices of words and explaining a response to a piece of writing, likes, dislike and the connections that have been made. Perhaps we might find that these discussions are easier because the writing is personal to the child. As always, we should remember that when we write, and talk about writing, we bring a piece of ourselves so acknowledging this gift and the bravery of sharing will be essential. Also important will be to remember the right to share only a little or nothing at all, and partake through listening respectfully.

We might consider the role of journals and how they allow the children to invest in the writing process and provide a safe space for them to experiment, invent, make mistakes and, eventually, develop a their identity as writer. This might need to be rediscovered! It might be that we need to simultaneously address handwriting and spelling to help remove barriers that might interfere with writing. There is real benefit to such practice and we know that writing by hand leads to quicker generation of ideas and, for older children, more effective note taking. However, it could be helpful to consider how these might be focused upon discretely and where or to what degree such an emphasis might be placed on these elements so that writing does not become intimidating or stifled.

Throughout these experiences, we as teachers should write alongside our children and think aloud our own writing process and responses to writing. We should model vulnerability and uncertainty, being stuck and revising words, as well as how we are generating ideas and establishing these into phrases and sentences.

Writing has certainly been different over the past few months and it is important to recognise that for some there have been some really positive outcomes from writing at home. Some children will have had many fantastic life experiences and discussions with their parents that will enrich their writing and we might also find that certain children have developed learning behaviours at home that will make them more independent and self motivated. Inspired by the successes of the virtual NWP teacher writing groups, my colleague and I committed to holding one live session a week with our classes and considered how we might use Padlet for the children publish their work. This led to successful writing for many children. I told them how much I enjoyed writing with them and missed this time in class. They returned the sentiment, explaining how they loved the online sessions and wanted to write for longer so I am looking forward to this continuing in person next week.

It is not the entire answer but devoting careful attention to our writing communities could be part of how we appraise the emotional or academic consequences of the pandemic and help the children to reconnect with each other this half term and beyond.

 


Back to School: September Writing Prompts

Through lockdown and over the summer I have managed to establish some good writing habits. My journal is never far away and, consequently, is bursting full.

Every year, though, September hits me like a train and those writing habits evaporate - generally alongside taking in the first pile of marking. It really shouldn’t be so hard to find the ten or fifteen minutes in a day to sit, reflect and allow the pen to talk to the page, but somehow it always is. Even though I know that it is good me, not just for my energy and well-being but as ever-present, brilliant CPD that will make a difference in the classroom.

Because our month of lockdown prompts proved so popular, Jeni Smith has been busy putting together another series of ideas to carry us all through September and the start of the new year.

Jeni explains how important it is to find that space for our own writing:

Writing is often the thing that we set aside for other things, for other people. We make appointments for the dentist, to see an anxious A level student, to help a colleague. Make an appointment with your writing. If you have a calendar write it in there. Colour code it. Put it on your phone and set the alarm. You need only fifteen minutes. If that is all you have between one thing and another, set a timer just short of the time you have available and get going.

The prompts for September are a mixed bag. Most of them should just set you going for a fifteen minute workout. Some may grow into something more extended so you may not wish to do a new prompt each day, but continue from where you left off. Many of the prompts have your professional life as a teacher in mind. I am inviting you, if you are so inclined, to use writing to reflect on your teaching. You may find you use just a few prompts over the course of the month. Many can be revisited daily. In the end, they are only prompts. Use them however you wish. You may even find that you use them as children do when they tell you they are bored. After you have listed a number of things they don’t want to do, they suddenly say, ‘Oh, I know what I’ll do.’ Go ahead!

So, no excuses. Keep your writing habit going through the new term, or cultivate a new one.

 

Lifting off with Zoom Writing

Meeting together to write is such a core principle for the NWP that it has been difficult to know what to do during the lockdown. The answer is, of course, to do what everyone else has been doing and meet virtually.

Inspired by Marjory Caine’s work with the Whodunit NWP, the Southdowns group borrowed the format of some warm up writing exercise together and then a little break to write independently before returning to share work.

As 'Dalloway Day' was earlier in the week, we took inspiration from the RSL and Write and Shine Dalloway Day Celebrations. We began with a simple listing of everyday pleasures: ‘What she loved: life, London and this moment in June’ Woolf says of Clarissa Dalloway. So we listed the everyday things that were giving us joy, or making us smile now. 

Lie-ins in freshly laundered sheets, not having to drive for hours to work, al fresco meals, cuddles with puppies, and the luxury of handwritten letters all featured.

Next we thought about walking. Clarissa Dalloway walks through London to buy flowers for a party. Her walk encompasses the exterior geography at the same time as her interior thoughts and perceptions. At one point she experiences a moment of revelation: her skill is in knowing about people. ‘If you put her in a room with someone up went her back like a cat's or she purred. So we began walking in memory, noticing the detail of a familiar route and what we saw and heard. - with a moment of revelation if one occurred.

For a longer prompt we looked at two very different extracts - Mrs Dalloway entering the flower shop, and Kathleen Jamie in Findings seeing an unfamiliar bird. One fiction and one non-fiction, contrasting 'nature' in urban and rural environments. After some discussion of what was interesting in each piece we set off on a more developed piece of writing retaining the idea of walking as the prompt, with a challenge to consider one of the following: Interior and exterior worlds, something encountered and 'researched’, or playing with unexpected images

As ever, there were delightful results. Two writers mixed images from school with natural ones. A gull that was 'RAG-rated' as amber, and a bindweed whose trumpet flowers heralded the end of term. There was powerful personification in teasing skies and conversations with gate posts, and some metaphysical contemplations on a beach. And, as important as the writing, the pedagogical discussion and thoughts about writing and sharing in the classroom.

So although I was nervous about the workshop, I have discovered that I like virtual writing in the company of others. Of course, I look forward to the time when we can meet in person once more, but for now, this writing is sustaining and continues the collaborative sharing of pedagogy and writing revelation so that to quote Jamie, we can ‘bring it home intact’.